[3] 2025 03  22: 비소설 서사의 구조적 글쓰기와 저널리즘적 설계

 

Good narrative writing is often as much technique as it is talent, sometimes more. The best narrative nonfiction writers often turn to time-honored tools of fiction writers for effect: plot and pacing, character and drama, and, yes, suspense. And they understand that a good story just can't spread out in all directions like a serving of spaghetti. The story needs form, shape, a structure designed to pull the reader from start to finish. "The craftsmanship of the writer is no less beautiful than that of the cabinet maker or the builder of temples or fine violins," writes Jon Franklin. Yes, this may sound grandiose, but the emphasis on craftsmanship is pure pragmatism: a knowledge of the basic structures that narrative science writers use to build an effective story. I think of this approach as journalistic architecture. Once a writer has the story blueprints in hand, so to speak, then he or she can decide which structure best fits the facts of the story  and where to slot them into place.

 

 

구분 내용 요약 원문
주장 좋은 내러티브 글쓰기는 재능보다 기법이 더 중요할 수 있다. Good narrative writing is often as much technique as it is talent, sometimes more.
근거 최고의 논픽션 작가들은 소설 작가의 기법을 활용하며, 이야기는 형식과 구조를 가져야 한다. The best narrative nonfiction writers often turn to time-honored tools of fiction writers for effect: plot and pacing, character and drama, and, yes, suspense. And they understand that a good story just can't spread out in all directions like a serving of spaghetti. The story needs form, shape, a structure designed to pull the reader from start to finish.
증거 존 프랭클린은 작가의 기술을 장인정신에 비유하며, 이는 실용적 접근이라고 말한다. "The craftsmanship of the writer is no less beautiful than that of the cabinet maker or the builder of temples or fine violins," writes Jon Franklin. Yes, this may sound grandiose, but the emphasis on craftsmanship is pure pragmatism: a knowledge of the basic structures that narrative science writers use to build an effective story.
비유 작문을 건축에 비유하며, 구조를 통해 이야기를 효과적으로 전달할 수 있다고 말한다. I think of this approach as journalistic architecture. Once a writer has the story blueprints in hand, so to speak, then he or she can decide which structure best fits the facts of the story ─ and where to slot them into place.

 

 

 

 

 

  문제 지문 원문 지문
1 Good narrative writing is often as much technique as it is talent, sometimes more. Good narrative writing is often as much technique as it is talent, sometimes more.
2 The best narrative nonfiction writers often turn to time-honored tools of fiction writers for effect: plot and pacing, character and drama, and, yes, suspense. The best narrative nonfiction writers often turn to time-honored tools of fiction writers for effect: plot and pacing, character and drama, and, yes, suspense.
3 And they understand that a good story just can't spread out in all directions like a serving of spaghetti. And they understand, to paraphrase the Pulitzer Prize-winning science writer Jon Franklin, that a good story just can’t spiral out in all directions like a serving of spaghetti.
4 The story needs form, shape, a structure designed to pull the reader from start to finish. The story needs form, shape, a structure designed to pull the reader from start to finish.
5 "The craftsmanship of the writer is no less beautiful than that of the cabinet maker or the builder of temples or fine violins," writes Jon Franklin. “The craftsmanship of the writer is no less beautiful than that of the cabinet maker or the builder of temples or fine violins,’ writes Franklin in his guide to the craft, Writing for Story.
6 Yes, this may sound grandiose, but the emphasis on craftsmanship is pure pragmatism: a knowledge of the basic structures that narrative science writers use to build an effective story. Yes, this may sound grandiose, but the emphasis on craftsmanship is pure pragmatism: a knowledge of the basic structures that narrative science writers use to build an effective story.
7 I think of this approach as journalistic architecture. I think of this approach as journalistic architecture.
8 Once a writer has the story blueprints in hand, so to speak, then he or she can decide which structure best fits the facts of the story ─ and where to slot them into place. Once a writer has the story blueprints in hand, so to speak, then he or she can decide which structure best fits the facts of the storyand where to slot them into place.

 

* 원문 참고 어휘

  • paraphrase 바꿔 말하다
  • Pulitzer Prize-winning 퓰리처상을 수상한

 

 

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