[고3] 2025년 6월 모의고사 32번 - 지문 구성, 그림 설명, 원문 비교

[고3] 2025년 06월 - 32번: 작가들이 인물의 외모를 직접 묘사하기보다 그 효과를 전달하는 방식
Writers often give us the impression that they have described the faces of their characters, when in fact they have simply given you an outline to fill in. Of Esch, the most important character in Hermann Broch's masterpiece The Sleepwalkers, we learn only that he has big teeth. Even so, we don't feel as if his face is a dentate blankness. Most often, we mistake being told what effect someone's appearance has for an account of that appearance. The poet Mallarme's advice ― Peindre non la chose, mais l'effet qu'elle produit ('Paint not the thing itself but the effect it produces') sounds like a self-denying ordinance. Actually it is a rather clever way out of an intractable problem. When, in one of his novels, Evelyn Waugh says of a new character, that 'he had just the kind of appearance one would expect a young man of his type to have' and nothing else, you still feel as if you have been told exactly what he looks like.

 

구분	내용	원문
주장	소설가는 얼굴을 자세히 그린 듯 보이지만 사실 독자가 빈칸을 채우도록 개요만 제시한다	Writers often give us the impression that they have described the faces of their characters, when in fact they have simply given you an outline to fill in.
예시	브로흐의 에슈는 커다란 이빨밖에 설명되지 않지만 독자는 얼굴을 생생히 상상한다	Of Esch, the most important character in Hermann Broch's masterpiece The Sleepwalkers, we learn only that he has big teeth. Even so, we don't feel as if his face is a dentate blankness.
근거	우리는 외모가 주는 인상만 들어도 실제 묘사를 들었다고 착각한다	Most often, we mistake being told what effect someone's appearance has for an account of that appearance.
비유	말라르메의 ‘효과를 그려라’는 충고는 이 어려움을 해결하는 영리한 방법이다	The poet Mallarme's advice ― Peindre non la chose, mais l'effet qu'elle produit ('Paint not the thing itself but the effect it produces') sounds like a self-denying ordinance. Actually it is a rather clever way out of an intractable problem.
예시	이블린 워의 ‘그 나이답게 생겼다’ 같은 한마디도 독자에게 완전한 모습이 떠오른다	When, in one of his novels, Evelyn Waugh says of a new character, that he had just the kind of appearance one would expect a young man of his type to have and nothing else, you still feel as if you have been told exactly what he looks like.

 

 

번호	문제 지문	원문 지문
1	Writers often give us the impression that they have described the faces of their characters, when in fact they have simply given you an outline to fill in.	Writers often give us the impression that they have described the faces of their characters, when in fact they have simply given you an outline to fill in.
2	Of Esch, the most important character in Hermann Broch's masterpiece The Sleepwalkers, we learn only that he has big teeth.	Of Esch, the most important character in Hermann Broch's masterpiece The Sleepwalkers, we learn only that he has big teeth.¹
3	Even so, we don't feel as if his face is a dentate blankness.	Even so, we don’t feel as if his face is a dentate blankness.
4	Most often, we mistake being told what effect someone's appearance has for an account of that appearance.	Most often, we mistake being told what effect someone’s appearance has for an account of that appearance.
5	The poet Mallarme's advice ― Peindre non la chose, mais l'effet qu'elle produit ('Paint not the thing itself but the effect it produces') sounds like a self-denying ordinance.	The poet Mallarmé’s advice – Peindre non la chose, mais l’effet qu’elle produit (“Paint not the thing itself but the effect it produces”) sounds like a self-denying ordinance.²
6	Actually it is a rather clever way out of an intractable problem.	Actually it is a rather cunning way out of an intractable problem.
7	When, in one of his novels, Evelyn Waugh says of a new character, that “he had just the kind of appearance one would expect a young man of his type to have” and nothing else, you still feel as if you have been told exactly what he looks like.	When, in one of his novels, Evelyn Waugh says of a new character, that ‘he had just the kind of appearance one would expect a young man of his type to have’ and nothing else, you still feel as if you have been told exactly what he looks like.³
8		If you have stared at your face long enough to feel that it eludes all the words that would locate it snugly in the world, you may start feeling odd.
9		The fact that this face is my face, this head is my head, will dawn on you.
10		Fancy, you think, of all the faces I know, being this face.
11		Fancy, come to that, being this thing, living this life.
12		The feeling passes: after all this head is your head; the thing in the world that is nearest to being what you are.
13		Nothing could be more familiar or an object of more anxious concern.
14		And yet you know so little of it.

 

* 원문 참고 어휘

 

• cunning 교묘한, 영리한 (= clever)
• elude 피하다, 표현을 벗어나다
• snugly 아늑하게, 꼭 맞게
• locate 위치시키다
• dawn on 깨닫다, 분명해지다
• fancy (감탄·동사) 상상하다, 생각하다

 

 

 

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